In the history of the red carpet of the most important film awards, not everything has been glamor
Bjork (2001)
The Icelandic artist gave us 2001 the most iconic image of the red carpet of that year. Always controversial (especially in those moments), the interpreter of 'It's Oh So Quiet' relied on the Macedonian designer Marjan Pejoski for this costume? inspired by a swan... and got anything but silence when posing in front of the photographers. She still remembers her time on the red carpet. What's more, it's difficult to think of it without this design coming to mind.
Celine Dion (1999)
Today she is considered one of the most elegant women in the world as she has her own style and, we could also say, unique. But her choices have long drawn many lines both for and against. In 1999 she appeared on the red carpet with this John Galliano design: a white tuxedo whose particularity was that the jacket was turned inside out. In addition, she accompanied him with a hat. The idea was not bad, but it was too informal for the most important red carpet in the world.
Cher (1986)
The alliance between Cher and the designer Bob Mackie has given some of the most remembered snapshots of the Oscars, but that does not mean that the artist was well dressed. While it is true that when she picked up the Oscar, Mackie's transparent design was much more appropriate, in 1986 the actress went straight to the worst-dressed list (the truth is that the headdress did not help much either).
Demi Moore (1989)
No one can yet explain how Demi Moore, who was already a star in Hollywood at that time despite still having a year to go before her success with 'Ghost', decided to become a designer and create her own dress for the red carpet: a corset. , a metallic-touch fabric and biker shorts created an ensemble that the next day received some of the worst reviews ever read at the American Film Awards.
Kim Basinger (1990)
If Moore failed with her costume design, the following year Basinger tried to emulate her, obtaining the same success: none. In the case of the explosive actress, the erotic myth of the Seventh Art par excellence, she decided to play 'Victor or Victoria' and designed herself a dress that mixed masculine and feminine with half of her body covered by a jacket. The large volume of the skirt did not help to fix the historical disaster of what is considered by many to be the worst dress in the history of the Oscars.
