King Charles has just delivered an unintentional yet brilliant masterstroke that is bound to leave Meghan Markle absolutely fuming.
While she struggles to carve out a place in the media industry, he has effortlessly launched a podcast that showcases exactly how it's done. There are no excessive producers, no grandiose theatrics, and certainly no forced attempts at relatability—just a dignified, well-executed, and genuinely engaging project. Recently, Charles introduced The King's Music Room, a podcast dedicated to his love of music. With only one episode released, it has already proven to be a masterclass in captivating an audience. Over an hour long and completely free of commercial breaks, it is filled with insightful anecdotes and thoughtful discussions.
It’s refreshing to witness a podcast that focuses on something meaningful rather than indulging in self-pity and manufactured struggles. After the peculiar spectacle of Meghan drizzling dried flowers on raw chicken, this project feels like the perfect palate cleanser. Yet, her most devoted supporters continue to hail her as some kind of entertainment visionary, despite all evidence to the contrary.
What makes Charles’s podcast truly remarkable is its authenticity. He isn’t chasing clout, attempting to modernize the monarchy, or desperately seeking Hollywood validation. He is simply a refined, cultured man sharing his love for music. This effortless sophistication must be an absolute nightmare for Meghan, who has repeatedly tried—and failed—to build a media empire based on grievance and vague concepts. The most amusing part? Charles isn’t even attempting to overshadow her; he’s simply doing what he loves, engaging with people through genuine passion and shared interests. Meanwhile, Meghan and Harry have burned through multimillion-dollar deals, produced a string of embarrassing failures, and somehow managed to create less content than a man who has spent most of his life preparing to be king.
Let’s not forget that Charles waited 70 years to ascend the throne, yet he never spent those decades lamenting his fate. Instead, he built The Prince’s Trust, turned the Duchy of Cornwall into a thriving enterprise, and dedicated himself to philanthropy. Even as king, he continues to focus on meaningful projects rather than chasing celebrity status. And then there’s his voice—a naturally soothing and articulate cadence that draws listeners in effortlessly. Unlike certain former royals who rely on excessive editing and voice coaching, Charles speaks with genuine warmth and ease. His delivery is engaging without the contrived over-enunciation that some employ in a futile attempt to appear polished.
The irony of it all is almost poetic. Meghan, who once positioned herself as an entertainment industry expert, was expected to revolutionize royal media. Instead, she has been effortlessly outclassed by a 75-year-old man who didn’t even grow up with the internet. He has managed to create a modern, compelling project that truly resonates with people, while her grand ventures have resulted in little more than a quietly canceled podcast, an underwhelming Netflix deal, and a relentless PR campaign centered on grievances.
To make matters worse for Meghan, Charles’s podcast isn’t just a random selection of songs—it includes personal stories about his encounters with legendary artists. This is how you elevate content. You don’t simply attach your name to a project and assume it will succeed by virtue of your supposed modernity. And unlike certain ventures that seem more focused on monetization than substance, Charles’s podcast exists purely out of passion. No overpriced charitable donations, no questionable sponsorships, and certainly no desperate bids for relevance—just an earnest love for music.
The cherry on top? Charles effortlessly blends modern and classic influences, featuring artists like Kylie Minogue alongside 1920s classics cherished by his grandmother. As if that weren’t enough, he even met Bob Marley—while Meghan and Harry found themselves relegated to the nosebleed seats at the One Love movie premiere. Sometimes, the comedy really does write itself.
