Just when it seemed Meghan Markle couldn’t stoop any lower in her endless pursuit of relevance, she pulls yet another stunt that leaves everyone stunned.
Caught once more in what appears to be another instance of child fakery, Meghan took to Instagram right as her new Netflix show With Love, Meghan gears up for release. After years of demanding privacy for her children, she now conveniently showcases a child—supposedly Lilibet—playing Candy Land with Serena Williams to promote her latest project. But something feels off. Royal watchers quickly noticed the child looks nothing like Lilibet as previously seen. The hair color doesn't match, and the child’s height is dramatically different from appearances made just weeks ago. If you're going to use children as marketing props, at least keep the details consistent.
It almost seems Meghan is using random children for different promotional needs. Adding to the suspicion, the video contains oddities like a moment where only three fingers are visible on the child. While it can't be definitively declared photoshopped, the inconsistencies raise serious questions.
Predictably, the mainstream media swallows the narrative without question, eager for any Sussex content. But those paying attention know better than to trust anything from the Montecito camp. If Meghan has indeed used a stand-in child, the hypocrisy is stunning, especially considering the couple’s endless lectures about privacy and child protection. Now, when there's money to be made, all those concerns vanish.
The child’s hesitant behavior only adds to the unease. She doesn’t act like a carefree kid playing a simple game but rather like someone uncomfortable and unsure. It’s reminiscent of earlier unsettling clips involving Archie, suggesting these children—whoever they may be—are walking on eggshells around Meghan.
In stark contrast, William and Catherine’s children consistently appear happy, natural, and—crucially—the same from one appearance to the next. The Wales family strikes the right balance between sharing public moments and protecting their children's privacy without exploiting them for commercial gain.
Sadly, Meghan seems to view her children—or substitutes—as tools for promotion. One Twitter user summed it up perfectly: she’s "rolling out one kid at a time" to test what drives more clicks and sales. It's exploitation, plain and simple.
Let's not forget that Meghan, during the Oprah interview, tearfully demanded privacy for her kids—the same Meghan whose husband preaches endlessly about online child safety. Yet here she is, potentially using a child to sell a Netflix show, proving once again that for her, principles only matter when they’re convenient.
Even the title With Love, Meghan reeks of narcissism. No project can exist without her name plastered on it. Even when supposedly celebrating others, Meghan must be the center of attention. And, as always, she clings to true celebrities like Serena Williams to boost her own image because without those associations, Meghan has little to offer on her own.
The timing of the Candy Land video is no coincidence. Everything Meghan does is calculated for maximum exposure. Had she embraced her royal role with dignity, she could have been cherished. Instead, she chose grievance, self-promotion, and, ultimately, irrelevance.
Meanwhile, the real royals—William, Catherine, and their children—continue to serve quietly and honorably. They show daily what true royalty looks like: duty, grace, and authenticity. In contrast, the Sussexes embody opportunism, grievance, and chaos. It’s clear which path leads to respect—and which leads to ridicule.
Stay tuned, because the saga of Sussex absurdity is far from over. And don't forget—March 4th, we'll be roasting With Love, Meghan live. Get your popcorn ready. Until next time, stay fabulous, stay skeptical, and stay royal.
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